Disney’s TURNING RED was created for a child audience, and Swift’s fanbase consists of mainly young, teenage girls. The Inclusion of these themes in animated movies and pop music videos is especially concerning, as the target audiences of these forms of media are on the younger side. As with all major Buddhist sexts, Zen Buddhism’s ultimate goal is to recognize “impurities,” such as greed, anger and ignorance, letting them go, and achieving “enlightenment,” which involves a kind of emptiness, purity of desire and action, calmness of mind, perfect discernment of what is true and false and what is harmful and not harmful, and emotional “balance.” As the most recent of many Rimboches said in terms of another sect of Buddhism: “life is a cesspool, so let go.” As I responded to one of his disciples from Harvard, who came to Jesus Christ, “it is a fallen world, but Jesus is reaching out to you to pull you out of the cesspool so you will have a more abundant eternal life.”

These moments are references to the Buddhist sect of Zen Buddhism, where the practitioner seeks to clarify the mind, pacify the mind, unite mind and body, and realize the interconnectedness of all things. TURNING RED also has about two overt references to being Zen-like to help her remain cool and control the red panda within her. Ultimately, therefore, TURNING RED has a mixed worldview with pro-family elements and false religion. Also, at another point, Mei says that the family’s grand matriarch prayed to “the gods” during a time of war that the gods imbue her with the power of the red panda so she could defend her family. At one point, for example, in Mei’s narration, Mei says that her family doesn’t worship any gods, but they do worship their ancestors, especially the family’s grand matriarch. TURNING RED sadly includes references to Chinese ancestor worship. Swift has continued to tie witchcraft to this song during her Eras Tour, donning ritualistic garb while performing the song, and having her backup dancers wear capes.Ī post shared by Tailah Scroggins example of occultism appearing in pop culture comes from Disney’s TURNING RED from 2022. Nonetheless, it provides another worrying example of the way witchcraft and pagan worship are being pushed into pop culture and becoming normalized. The inclusion of the campfire witchcraft scene is confusing, as it was unnecessarily added onto lyrics it has zero relevance to. After, she leaves to travel through time again and continue looking for her lover, whom she eventually convenes with during the final chorus of the song. Swift observes the occult ritual taking it in for a few moments before taking her place and joining the dance for the second half of the verse. This cult worship scene has no relevance to the song, nor does it tie into the scenes from the previous verses. The scenes for the first two verses find Swift in a forest and a 1920s bar before the third scene takes place during cult worship around a campfire. Something always stands in their way, and they are forced to escape to different time periods where they attempt to connect again. The “Willow” music video follows Swift as she tries to connect with her lover.

In Taylor Swift’s “Willow” music video, she includes occult worship, a troubling practice being normalized in culture across numerous forms of media. Taylor Swift Promotes Witchcraft On Tour in ‘Willow’ Performance Published: ApPhoto courtesy of Taylor Swift Instagram

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